7 10 162 https://www.thanksroy.org/files/original/5ddc51a50b2e246ca627cb0fb323258c.jpg 3c2800c4ad38377eb3d89dbb9187638a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 506 Width 1272 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 8 Title A name given to the resource Roy, with Larry and Cornelia Levine Rights Information about rights held in and over the resource You are being asked to contribute your recollections to the Hurricane Digital Memory Bank, which is developing a permanent digital record of the events surrounding the major hurricanes of 2005. Your participation in this project will allow future historians, and people such as yourself, to gain a greater understanding of these events and the responses to them. You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Memory Bank in all media in perpetuity. If you have so indicated on the form, your material will be published on the Memory Bank website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Memory Bank. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws.\" By submitting material to the Memory Bank you release, discharge, and agree to hold harmless the Memory Bank and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Memory Bank\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. The Memory Bank has no obligation to use your material. You will be sent via email a copy of your contribution to the Memory Bank. We cannot return any material you submit to us so be sure to keep a copy. The Memory Bank will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Mike O'Malley Contributor An entity responsible for making contributions to the resource Mike O'Malley Type The nature or genre of the resource Still Image https://www.thanksroy.org/files/original/0656ed05f4bd243f2a1b8e521c94b5f2.jpg 5feb3bd91e6d98d192aedb6e0f81f1ea Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 436 Width 576 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 121 Title A name given to the resource Roy in Pohick Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource This is a picture I took in the second incarnation of the Center for History and New Media (the Pohick Module) on October 3, 2001. Note the shirt--what a surprise! Creator An entity primarily responsible for making the resource Mills Kelly Contributor An entity responsible for making contributions to the resource Mills Kelly Type The nature or genre of the resource Still Image chnm Pohick red shirt roy shirt https://www.thanksroy.org/files/original/1d69d7500c8cd41f44b8ffda81994a56.jpg 779c865b2a7da291ea655ffa3fba9131 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 436 Width 576 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 122 Title A name given to the resource Roy at Pohick Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource This is a second picture from that evening at the Pohick Module on October 3, 2001. Roy is talking to Dee Holisky. In the background are Bob Hawkes and Paula Petrik. Creator An entity primarily responsible for making the resource Mills Kelly Contributor An entity responsible for making contributions to the resource Mills Kelly Type The nature or genre of the resource Still Image chnm Pohick red shirt roy shirt Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. It was funny one day working in the office and a man came up and started to ask a bunch of the interns there names. Not really paying attention to it I continued to work when I felt a tap on the shoulder. Taking off the headphones this man asked me for my name I said “Misha” and out of nowhere he said “I remember you.” And with that he walked away holding a coffee mug out of the lab and into the hallway. It was only a few moments later did someone mention his name did I put two and two together and figure out it was Roy himself. As the summer rolled on I saw him occasionally walk through the computer lab saying hi to everyone always being cheerful. Although I interacted very little with him, when he came by to view the movies he said what others say was his famous line “Hey I know so and so, who worked on this before. I’ll ask him if he can come by and take a look.” And so the next day sure enough his friend came by and helped me out a lot. When I received the e-mail about Roy’s death, one question still lurked in my head, “how did he know me before I met him?” And then it hit me. The day when I came in for my interview back in June I was sitting at the conference table waiting, and I remember him sitting next to me shuffling some papers as people were writing a timeline on the whiteboard. All I can remember is exchanging a quick “hi” and that was it. At most it was a total of ten seconds. I know personally if say hi to a stranger for ten seconds there is a good chance that I won’t remember them a month later. But Roy was different; somehow he would remember you even if you did not remember him. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 24 Title A name given to the resource The Stranger Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Misha Vinokur Contributor An entity responsible for making contributions to the resource Misha Vinokur Type The nature or genre of the resource Document coffee Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I can’t remember how or exactly when I met Roy. I imagine it was at the MARHO table at the AHA, sometime in the late 1970s when I was finishing my PhD. Sue Porter Benson might have introduced us, or perhaps I had just signed up to sit at the table the same time as he did. He seemed always to be at the MARHO table then, before he started serving on every committee in sight. In those days, there were a lot of leftist men who hadn’t quite gotten the gist of feminism, but Roy was a welcome exception. Just when I was about to utter some universal complaint about macho leftists or about one more session on labor history that failed to consider women or gender, Roy would pop into my head. Then I’d have to take a deep breath and realize that there were a few good men. It wasn’t just that Roy acknowledged women’s history. He also embraced what I thought of as feminist process, though he didn’t articulate his style in those terms, or any terms--he just got things done in an incredibly collaborative and unassuming way. I remember especially a moment in 1991, when we served together on the OAH Program Committee. There were lots of proposals for complete sessions that year and a big stack of single paper proposals as well. Most of the committee was willing to focus on the complete sessions and only move to the single papers if we really needed to add speakers or sessions. But Roy cornered me at the first coffee break and said we should volunteer to go through all the single proposals and create sessions because otherwise lots of graduate students and young faculty who didn’t have the networks to produce full sessions would get lost. So we did just that—and it yielded some great sessions. On so many occasions like this one, Roy did the invisible work that makes such a difference and refused any special acknowledgement for his efforts. He was a mensch. Around the same time, I was serving as an outside reviewer for The Park and the People. In that capacity, I discovered that Roy’s passion for collaboration was just as strong when it came to research. Roy (and his co-author, Betsy Blackmar) actually seemed excited to get suggestions for revisions. I think this was the first time that I let a press give out my name to the authors of a manuscript, and they were so appreciative of my comments that I foolishly thought their response was typical. (I soon learned otherwise, but I was forever grateful that they had taken my ideas seriously. It gave me greater faith in my critical abilities and served as a model for how to embrace criticisms and suggestions about my own work.) In addition to Roy’s generosity and collaborative spirit, he was excellent at persuading people to take on extra work for a good cause since he was always doing more than his share. The point was reinforced over and over again as I crossed paths with Roy in MARHO, the OAH, the ASA, History Matters, and especially, the American Social History Project. When I was recruited to join the ASHP group revising Who Built America? in the mid-1990s, it was Roy who called. I was overwhelmed with commitments of various kinds at the time and would have turned anyone else down. But Roy always seemed to be juggling more obligations than anyone else and doing it so well. Plus, he was listened so carefully to my concerns and anxieties that by the end of the phone call, I’d said yes. I’m glad I did. Joining the WBA? circle gave me the chance to collaborate with Roy—and Steve, Josh, Chris, Nelson, Susan, Ellen, and Pennee. This was a project that highlighted Roy’s intellectual and technological creativity and his amazing ability to find humor in the midst of crisis and chaos. As we await publication of the third edition, I still expect an email from Roy to pop up in my inbox. (I’ve studied the nineteenth-century “spiritual telegraph,” and if anyone can get it to work, it’s Roy.) Like so many of us, it’s hard for me to think about a world without Roy. But then we don’t quite have to since he’s still present in so many places—in books and websites and digital archives; in the ways we think about research, writing, and collaboration; in the tools we use to teach; in our commitments to history as politics; and of course, in our hearts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 82 Title A name given to the resource A few good men(sches) Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Nancy Hewitt Contributor An entity responsible for making contributions to the resource Nancy Hewitt Type The nature or genre of the resource Document collaboration mensch WBA? Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I was a professor of history at GMU for 27 years ago. In retrospect, my greatest contribution to George Mason was casting the deciding vote to give Roy his job at GMU. There was a four person search committee and the vote was 2 to 1 in favor of another candidate. My vote for Roy [after listening to a brilliant guest lecture] made the vote 2 to 2 and allowed the Chair to offer the position to Roy. The rest, as they say, is history. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 125 Title A name given to the resource My best contribution to GMU Creator An entity primarily responsible for making the resource Peter Henriques Contributor An entity responsible for making contributions to the resource Peter Henriques Type The nature or genre of the resource Document Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I have admired Roy's scholarship for many years, but I will remember him best for his democratic and egalitarian manner. In a profession where traditional scholarship often earns the greatest acclaim, Roy worked in public history, among other fields, and helped to make it a vibrant and important enterprise. He did as much as anyone to make the Web a source of learning and intellectual exchange. And he always had time to offer advice or encouragement to everyone he met. His combination of deep learning, a modest manner, and generosity were utterly winning. It is tragic that he is gone, but his memory will be an inspiration for a long time to come. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 254 Title A name given to the resource Loss and Inspiration Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Rob Snyder Contributor An entity responsible for making contributions to the resource Rob Snyder Type The nature or genre of the resource Document Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. It has been comforting to read how many lives Roy touched in such a variety of wonderful ways. Being Roy’s sister, I always thought he was the “brother extraordinaire”, who was always there when I needed him. I will miss him arriving to visit and asking if we could put up a pot of coffee (even at 11PM). Anything that was of importance to you in your life, was of importance to Roy. It amazes me that his family only knew about one quarter of his professional accomplishments. Roy never made a big deal out of anything he had done. We will always cherish seeing him receive the Lyman award at the Library of Congress. Roy has always been the teacher, the one showing the way. So it really comes as no surprise that he taught us that the best way to travel in this world, was to be kind and caring about others. And when it comes down to who we are, that is really all that is important. Roy I will miss you more than you’ll ever know. Thanks Roy for being so you, up until the very end. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 71 Title A name given to the resource My Brother Roy Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Creator An entity primarily responsible for making the resource Robin Rosenzweig Schkrutz Contributor An entity responsible for making contributions to the resource Robin Rosenzweig Schkrutz Type The nature or genre of the resource Document Brother coffee Kind miss https://www.thanksroy.org/files/original/69113a39003e4a5a6b619de2f8f02ff5.jpg 96e5910ba23975324ab7b8e8f1a17aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 684 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 70 Title A name given to the resource Roy at St. John's College at Cambridge University Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Description An account of the resource Roy in school clothes at Cambridge, Pre-red shirt Creator An entity primarily responsible for making the resource Robin Rosenzweig Schkrutz Contributor An entity responsible for making contributions to the resource Robin Rosenzweig Schkrutz Type The nature or genre of the resource Still Image cambridge England red shirt https://www.thanksroy.org/files/original/46a9d94cd51c6fdad5ecba5ed2903fd0.jpg 96e5910ba23975324ab7b8e8f1a17aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 684 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 72 Title A name given to the resource Roy at St. John's College at Cambridge University Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource Roy in school clothes at Cambridge, Pre-red shirt Creator An entity primarily responsible for making the resource Robin Rosenzweig Schkrutz Contributor An entity responsible for making contributions to the resource Robin Rosenzweig Schkrutz Type The nature or genre of the resource Still Image cambridge England red shirt