9 10 162 https://www.thanksroy.org/files/original/69113a39003e4a5a6b619de2f8f02ff5.jpg 96e5910ba23975324ab7b8e8f1a17aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 684 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 70 Title A name given to the resource Roy at St. John's College at Cambridge University Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. 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Description An account of the resource Roy in school clothes at Cambridge, Pre-red shirt Creator An entity primarily responsible for making the resource Robin Rosenzweig Schkrutz Contributor An entity responsible for making contributions to the resource Robin Rosenzweig Schkrutz Type The nature or genre of the resource Still Image cambridge England red shirt https://www.thanksroy.org/files/original/46a9d94cd51c6fdad5ecba5ed2903fd0.jpg 96e5910ba23975324ab7b8e8f1a17aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 684 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 72 Title A name given to the resource Roy at St. John's College at Cambridge University Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource Roy in school clothes at Cambridge, Pre-red shirt Creator An entity primarily responsible for making the resource Robin Rosenzweig Schkrutz Contributor An entity responsible for making contributions to the resource Robin Rosenzweig Schkrutz Type The nature or genre of the resource Still Image cambridge England red shirt https://www.thanksroy.org/files/original/aacbb7d45a33f79c45fa3ed48a4539e4.jpg 72fc8093775a390d18b6d2cacf798e21 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 640 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 156 Title A name given to the resource Roy at the Crossroads 10th Anniversary Celebration Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource Here's a picture of Roy giving a short talk about the American Studies Crossroads Project and his work over the years with Randy Bass. Crossroads 10th Anniversary Celebration, American Studies Association Annual Meeting, November 11, 2004, Atlanta, GA Creator An entity primarily responsible for making the resource Michael Coventry Contributor An entity responsible for making contributions to the resource Michael Coventry Type The nature or genre of the resource Still Image Roy; Crossroads Project; Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. When, with more enthusiasm than know-how, I started trying to support my courses with websites, Roy was encouraging and incredibly generous of his time and personally got me started communicating with the CHNM server (where those websites have lived ever since). Knowing the requirements of coding and encryption, but also well aware of the desire to keep it simple, Roy punched out an appropriate “open sesame,” that I’ve used ever since for many things (but not the server: he made sure that updated security required changing it there from time to time). This legacy has meant that I think of Roy on an almost daily basis and I’m well aware too of the metaphoric implications of his providing a neophyte with the means to a way. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 120 Title A name given to the resource Roy gave me my password. Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Creator An entity primarily responsible for making the resource Sheila ffolliott Contributor An entity responsible for making contributions to the resource Sheila ffolliott Type The nature or genre of the resource Document https://www.thanksroy.org/files/original/d8b481878d60dfb9fa1d5d99125662d8.jpg 028bfbec866ac8cc8bc6a3d998d11702 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 484 Width 500 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 95 Title A name given to the resource Roy in a Who Built America" T-Shirt" Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource This was taken in November 1995, when WBA II was one of the earliest projects at CHNM, in collaboration with ASHP. Contributor An entity responsible for making contributions to the resource Elena Razlogova Type The nature or genre of the resource Still Image American Social History Project chnm wba https://www.thanksroy.org/files/original/0656ed05f4bd243f2a1b8e521c94b5f2.jpg 5feb3bd91e6d98d192aedb6e0f81f1ea Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 436 Width 576 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 121 Title A name given to the resource Roy in Pohick Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Description An account of the resource This is a picture I took in the second incarnation of the Center for History and New Media (the Pohick Module) on October 3, 2001. Note the shirt--what a surprise! Creator An entity primarily responsible for making the resource Mills Kelly Contributor An entity responsible for making contributions to the resource Mills Kelly Type The nature or genre of the resource Still Image chnm Pohick red shirt roy shirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Celebration Description An account of the resource Speeches from the Celebration of Roy's Life, December 9, 2007, George Mason University, Arlington campus, Arlington, VA. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Roy Memorial Speech, December 9, 2007 I’m Steve Brier, founding director of the American Social History Project at The City University of New York, and a friend and comrade of Roy’s for almost 30 years. The second hardest thing I did in preparing for today was finding a red shirt to buy. Let me note that Roy’s favorite color for his shirts is not a widely shared preference of either America’s shirt makers or apparently the rest of the shirt-buying public. That aside, the hardest thing about speaking today, besides the utter injustice of having to face the fact that Roy is gone, was the challenge to encapsulate in five minutes my feelings and thoughts about my dear friend. I met Roy, as did many of us here today, while serving on the editorial board of the Radical History Review in the 1970s. Roy was the quintessential radical historian throughout his long and illustrious career: profoundly committed to broadening the subject of historical inquiry, to realizing the democratic possibilities of doing history, to minimizing the theoretical obfuscations that marred so much scholarly writing, and to finding new ways and presentational forms to convey historical ideas to a broad public audience. Most of all, Roy’s radicalism was expressed in his passionate commitment to collaboration, an approach to doing history that defied the profession’s blind faith in the requirement that scholars work alone. Roy loved to collaborate with a variety of colleagues whose skills and experiences complemented his own remarkable conceptual and creative abilities, whether he was writing books and scholarly articles, helping conceive and produce documentary films, CD-ROMS, and websites, or developing cutting edge software to help his fellow scholars be as productive and accurate in their scholarship as he always was. There are at least twenty people here today who are proud to have their name associated with Roy’s as co-authors, co-creators, and/or co-producers. Every one of us can attest to Roy’s tenacity, his tireless capacity for work, and, most importantly, his extraordinary generosity and kindness as a colleague and friend. I guess my fondest memories of working with Roy center on the Who Built America? CD-ROMs, much of the writing for which happened at Roy and Deborah’s Jackson St. house beginning in the early 1990s. I’d move in for a week or two at a time to work closely with Roy: you got three square meals at Chez Rosenzweig-Kaplan, a chance to read the paper in the morning and discuss the news of the world, and go to a movie and eat dinner out on the weekends. Otherwise, we were chained to our computers all day and well into every evening, working with the kind of intensity and focus that defined everything that Roy did. Collaborating with Roy in those years on the WBA CDs, especially in the years before the Internet changed the way we did research, was a bit like being cloistered in a historical monastery, where you had access to a fabulous collection of history books, journals and reference sources and where the head history monk (Roy) pushed himself and his fellow monks relentlessly. Despite this pace, my only gripe from all those years of working with Roy in his Jackson St. study was that I ended up having to sit in an incredibly uncomfortable red straight chair while we pored through enormous mounds of historical materials. I finally had to convince Roy to buy himself a new desk chair just so that I could sit in his old one. I never kept up with Roy’s output or his brilliant historical insights, though I tried damned hard to do so. I learned pretty quickly that the best thing you could do was work hard and admire (and ultimately benefit from) Roy’s incredible capacity for hard work and intellectual productivity. Working with Roy in those years reconnected me with the sheer joy of being a historian, seeking to master ideas and material far a field from my formal training, while actively engaged in a bigger collaborative project that helped transform the way we all thought about and presented history. Much like my other dear friend and close collaborator, Herb Gutman (who, like Roy, was also 57 when he died), Roy’s influence will be felt for years to come in the profession and beyond. There will be (and there already have been) numerous books, journals, conference sessions, fellowships and prizes named in Roy’s memory. But I am confident that as much as Roy is remembered for his brilliant insights and output as a historian he will also be remembered for the endearing friendship and support that he offered to so many people, inside the profession and far beyond it. Roy was simply a lovely human being, a mensch, who had a deeply open curiosity about everything and everyone he met all over the world. In what turned out to be the last few months of his life, Roy was very encouraging and inquisitive when I had the chance to describe to him a new family memoir project that I had just started to think about. He managed in the midst of his various medical treatments, as only Roy could, to find the time and the energy to send me a book from Amazon about doing family history that he thought I should read. And during one of our last times together in Arlington he invited me to come down to spend a week or two with him and Deb in their Lincoln St. home when I started my sabbatical, so that I could once again use the incomparable Rosenzweig history library and, far more importantly, from my perspective (and I think maybe his as well) to have the chance to talk with him about the project. Sadly, I missed the opportunity to take Roy up on his wonderfully generous offer; he died a few weeks before my sabbatical began. Thanks, Roy, for your generosity of spirit and for your kind heart. You are and will be profoundly missed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 130 Title A name given to the resource Roy Memorial Speech Language A language of the resource eng Description An account of the resource Speech given by Dr. Stephen Brier at the Celebration of Roy's life, Sunday, December 9, 2007. Creator An entity primarily responsible for making the resource Stephen Brier Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-09 Type The nature or genre of the resource Document https://www.thanksroy.org/files/original/b8d39d58f805182c782354308e5dee61.jpg a322f3201c3c9b982c76cd3c1d57e058 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1062 Width 1164 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 83 Title A name given to the resource Roy receiving the Lyman Award Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Eric Schkrutz Contributor An entity responsible for making contributions to the resource Eric Schkrutz Type The nature or genre of the resource Still Image Lyman Award red shirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Formal Notices Description An account of the resource Obituaries and paid death notices. Hyperlink Title, URL, Description or annotation. URL http://blog.historians.org/news/348/roy-rosenzweig-1950-2007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 75 Title A name given to the resource Roy Rosenzweig, 1950—2007 Language A language of the resource eng Description An account of the resource Roy Rosenzweig, the Mark and Barbara Fried Professor of History & New Media at George Mason University, and a friend and councilor of the AHA, passed away yesterday, October 11, 2007, due to complications resulting from advanced cancer of the lungs. Roy Rosenzweig Rosenzweig was that rare academic: consummately knowledgeable, self-reliant, productive, intuitively creative, and above all, a humanist who helpfully bridged the often intimidating gap between the seeming elitism of academia and his students. At George Mason University, Rosenzweig also headed the Center for History and New Media (which he cofounded), and developed it with a pioneering enthusiasm, making it one of the leading centers for digital history. Indeed, embracing emerging technologies with ardor, but always with a cautious sense of the possible and the real, Rosenzweig fused history and technology with a seemingly effortless ease that inspired many other historians to take off on their own exploratory voyages into new media. Not surprisingly, Roy Rosenzweig and his colleagues at the Center for History and New Media and received many accolades, including the AHA’s James Harvey Robinson Prize for 2004 and 2006 (for History Matters and World History Matters, respectively, for creating web sites to help students navigate the complexities of U.S and global history). And just a few weeks ago, the Center for History and New Media received a $7.5 million grant from the U.S. Department of Education for creating a clearinghouse for information about history education. Rosenzweig, who received his PhD from Harvard University in 1978, wrote or edited numerous books and articles including Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870–1920 (Cambridge University Press, 1983); The Park and the People: A History of Central Park (Cornell University Press, 1992), co-authored with Elizabeth Blackmar, which won the 1993 Historic Preservation Book Award and the 1993 Urban History Association Prize for Best Book on North American Urban History; and, most recently, with Daniel Cohen, Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web (University of Pennsylvania Press, 2006). Roy Rosenzweig received numerous awards for his scholarship and professional contributions, including the Guggenheim Fellowship, which he held in 1989–90. In 2003, he received the Richard W. Lyman Award for his work with digital history. In March 2007 he was conferred the Distinguished Service Award by the Organization of American Historians, for his “outstanding contributions to labor and public history, and his dedication to reaching new and diverse audiences as expressed in his pioneering efforts in the uses of digital technology and new media.” Dedicated as he was to his teaching, Roy Rosenzweig perhaps treasured more than anything else the admiration and affection of his students, three of whom, remarkably, now work at the AHA building. Roy Rosenzweig was the MA thesis adviser for Lee White, the executive director of the National Coalition for History, and for Chris Hale, publications production manager at the AHA. Rosenzweig was the PhD dissertation adviser for Robert Townsend, the AHA’s assistant director for research and publications. “I have lost both a mentor and a friend with the passing of Roy,” said Lee White. “Few people truly affect the direction that your life takes. Of all of the teachers I have had throughout my education, he is the one whom I will always cherish the most,” he added. Chris Hale particularly appreciated the fact that Rosenzweig was readily accessible to his students, and declared, “that’s rare in academia and, for me, was the best aspect about my whole graduate school experience.” A long-standing and loyal member of the AHA, Rosenzweig served as the Association’s Vice President for Research from 2004 to 2006. Inventive as always, he used his tenure to bestir the AHA to break out of the inhibiting confines of the traditional annual meeting formats and introduced several new modes of presentation, and worked to open up access to scholarship not only at the meeting but from the pages of the American Historical Review. During his vice presidency, Rosenzweig also successfully led the search for a new editor for the AHR. Rosenzweig was also an enthusiastic founding member of the National History Center, an initiative of the AHA, and served on its planning committee. In recognition of his invaluable contributions to the Association, to the profession, and to the discipline, the AHA chose Rosenzweig to be the next recipient of the Troyer Steele Anderson Prize to be conferred at the AHA’s 122nd annual meeting in Washington, D.C. Sadly, the prize must now be conferred posthumously. Roy Rosenzweig, a true academic visionary and superlative historian with a social conscience, will be missed by friends, colleagues, and students alike. Source A related resource from which the described resource is derived American Historical Association Blog Creator An entity primarily responsible for making the resource Chris Hale and Pillarisetti Sudhir Type The nature or genre of the resource Hyperlink AHA blog formal notices roy Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I wasn’t one of Roy’s closest friends, but I feel lucky to have known him for a long time. We met when I joined the Radical History Review editorial collective in late 1990, and worked together on that for many years. I can’t be surprised that so many others have used the word “generous” about Roy. Usually it means a nice person, someone who gives you some time and tips. Roy was the real thing: without any pretence or show, he helped other scholars, including me, in substantial ways. Over and over, more times than I count, his advice and assistance was crucial, on everything from big to small. He left me with an example of what it means to understand history as a collegial rather than competitive initiative. Roy’s generosity was tied up with his politics, as a radical historian, and a central figure in establishing the practice of radical history in the 1970s and 1980s at RHR, the American Social History Project and CHNM. Yet here, as in everything else he did—and he did so much, as a scholar-activist—he was exceptionally modest. Not self-consciously humble, the way some are on the left: he could tell some very funny stories about the old days of MARHO, and was quietly helpful in explaining to those of us younger to the enterprise what had actually taken place, minus any mythography. The great radical historians of the past forty years, among whom Roy numbered, are people who took seriously the idea of opening up how history works to everyone—undergraduates, K-12 students and teachers, and the politically-engaged public, as well as our disciplinary peers and graduate students. His contributions are monumental in that respect, from Who Built America?, to “History Matters,” to charting the path to a democratized digital history, let alone his own books, which will be read and taught for a very long time. And then there is a whole other side: how, as one half of “R.J. Lambrose,” he showed up the absurd misappropriations of history by bad scholars and reactionaries of every stripe, helping to make sure that no one would ever mistake the RHR for just another journal. There were many times when I read that section of the journal first, laughing and declaiming it aloud to whomever was in the vicinity. To be judiciously, bitingly funny and radical too—a rare gift in our country, let alone our profession. That’s what Roy was, a rare gift. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 65 Title A name given to the resource Roy Rosenzweig, Presente Language A language of the resource eng Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. Creator An entity primarily responsible for making the resource Van Gosse Contributor An entity responsible for making contributions to the resource Van Gosse Type The nature or genre of the resource Document